![]() ![]() Fast f/2.8 maximum aperture throughout the whole zoom range for great control over depth of field, bokeh, and low-light shooting with fast and reliable autofocus.Telephoto zoom lens that builds on the legacy of the popular EF300mm f/2.8 lens.We find the combination of lab and real-world testing works best, as each reveals different qualities and characteristics. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We test lenses using both real-world sample images and lab tests. ![]() Read our full Canon EF 85mm f/1.8 USM review for more details How we test lenses ![]() The quality of bokeh is very pleasing when shooting wide-open but the 8-blade diaphragm isn’t quite as well-rounded as in some competing lenses, tending to give a noticeable octagonal shape to defocused points of light and bright objects when you stop down a little. Color fringing and distortion are minimal. Given the modest aperture rating, sharpness isn’t particularly impressive when shooting wide-open but still sufficient for plenty of detail in the eyes. Handling is good and the lens feels well-built although, typical of non-L-series models, it’s not weather-sealed and you have to buy the hood separately. The ring-type ultrasonic autofocus system is fast, whisper-quiet, and has the usual full-time manual override with a purely mechanical linkage. The optical path is fairly simple, based on nine elements in seven groups, but includes Super Spectra coatings to reduce ghosting and flare. Originally launched nearly 30 years ago for 35mm film SLRs, the lens has certainly stood the test of time and is equally viable for digital bodies. And more importantly for many, it is by far the most affordable, and lightweight, option of the three. This f/1.8 is not as fast as the other options - but its maximum aperture is perfectly adequate for blurring backgrounds and isolating the subject. Read our full Canon EF-S 35mm f/2.8 Macro IS STM review for more detailsĬanon makes three different 85mm lenses for its DSLRs, as this focal length is often thought of as the best for portraits. Overall though, with a generous aperture of f/2.8, this is a solid buy, especially at second-hand prices. See other best macro lens options. In our full review, we found that the lens had a lot of impressive features to recommend it, like its speedy and precise stepping motor autofocus – though it's worth noting that we found sharpness to be a little lackluster at narrow apertures, which is a shame for a macro lens. While its 56mm equivalent focal length is maybe a touch short compared with rival macro lenses, it packs in useful macro-oriented features like a built-in LED light for throwing some extra illumination on your tiny subjects. But as with all macro lenses, it can be used for taking pictures of images at any distance - this becomes a great lowlight and portrait lens too. This makes it great for close-ups of flowers, insects, coins, and other miniature objects or details. It offers full 1:1 magnification - which means that when at its minimum focus distance, the image recorded on the sensor is the same size as the subject itself. Not only for speed and accuracy but also for silence when capturing video – whirring autofocus motors while filming a scene isn’t ideal.Ī macro lens is essential for extreme close-ups - and this compact version is designed specifically for Canon APS-C DSLRs. It’s also important to consider the quality of the dedicated autofocusing motors integrated into the lenses. Some lenses have additional and enhanced features such as image stabilization for steadying the scene while shooting at slower shutter speeds, and better lens coatings for reduced flare and ghosting when shooting toward the sun (or other light sources). We’ve rounded up some of the best quality lenses suitable for the Canon Rebel T6 and T7 (sold as the EOS 1300D and 2000D outside North America), choosing lenses that have minimal optical distortion, and limited color fringing while offering good value for money. Whether zoom or prime, each lens has its own set of unique characteristics in terms of optical quality and features. Zoom lenses offer two real advantages: the ability to recompose without having to move the camera and it removes the need to swap over lenses while shooting, meaning photographers can travel lighter with fewer lenses. With entry-level DSLR cameras, most users are looking for flexibility and hence zoom lenses. ![]()
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